. Randall Steeves’ thickly painted, textured paintings invite the viewer to reconsider the gesture of painting itself. The canvases explore the relationship between the photographic index and the painterly trace with a wry nod towards conceptual art practice. The subject of his canvases is the fingerprint. Steeves had himself “processed” by the Vancouver Police Department in preparation for this work and the pieces are made up entirely of his own [...]